Orchestra expertise in a nutshell -- some were better than others. Heat and humidity do a number on all instruments, make tuning a bitch, and play havoc with pitch. However, professionals learn to deal with it, some better than others. All of this is based on watching videos/listening to audio since I didn't actually attend a live performance this time around.
About the arrangements, I thought they kicked ass; and I read at least three blogs by tour musicians that said as much.
Thanks!! More more!! I promise to whomp anyone who expresses boredom. What would you suggest our listeners listen for as they evaluate?
I'm doing the cello, I mean LAA. There's something about that solo that makes it really hard. A lot of the cellists seemed to me to be off in their timing. What is it about that solo that makes it so challenging?
Jesse's arrangements kicked ass--I agree--what were some particularly kickass things? One that got me was the little violin interlude during the classics that Clay always mimicked a violin playing. I'd like to hear the classics without the vocals once just to hear what it sounds like.
I love Clay's ear for these things too, that he notices all the details. He can also sing "against" his accompaniment, both in terms of melody and timing. Not easy. Some of his fans just want him to rock out with some muddy guitar sound and someone pounding on a drum, and a catchy tune that anyone could sing, because they want him to be cool and on radio. I think it's a waste when you're a guy who can say, "I can't hear the flute." I get a little pissy when some fans (usually at OFC) claim Clay needs to be more of an artist like the people who make Top 40 music.
Just audio.
ITA-- You said it so much better than I could. I think Jessie is great at his job and I've been noticing more and more that Clay hears every little detail and instrument and count. It's all in his head. That's artistry, right there.